![]() ![]() ![]() Ellen Glasgow used the term in this way when she referred to the writings of Erskine Caldwell and William Faulkner. The term "Southern Gothic" was originally pejorative and dismissive. The resulting poverty and lingering bitterness over the loss of the Civil War in the region during Reconstruction exacerbated the racism, excessive violence, and religious extremism endemic to the region. ![]() The thematic material was largely a reflection of the culture existing in the South following the collapse of the Confederacy as a consequence of the Civil War, which left a vacuum in its cultural and religious values. The genre was consolidated, however, only in the 20th century, when dark romanticism, Southern humor, and the new literary naturalism merged in a new and powerful form of social critique. Common themes of Southern Gothic include storytelling of deeply flawed, disturbing or eccentric characters who may be involved in hoodoo, decayed or derelict settings, grotesque situations, and other sinister events relating to or stemming from poverty, alienation, crime, or violence.Įlements of a Gothic treatment of the South were first apparent during the ante- and post-bellum 19th century in the grotesques of Henry Clay Lewis and in the de-idealized representations of Mark Twain. Southern Gothic is an artistic subgenre of fiction, country music, film and television that are heavily influenced by Gothic elements and the American South. Marlon Brando and Vivien Leigh in A Streetcar Named Desire (1951). ![]()
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